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Type of bind: Hardcover
Dewey Decimal Number: 813.52
EAN num: 9780521402309
ISBN number: 0521402301
Label: Cambridge University Press
Manufacturer: Cambridge University Press
Quantity: 1
Page Count: 276
Printing Date: August 30, 1991
Publishing house: Cambridge University Press
Sale Popularity Level: 603540
Studio: Cambridge University Press
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Editor's Notes and Comments:
Product Description:
Since its publication in 1925, The Great Gatsby, F. Scott Fitzgerald's account of the American dream gone awry, has established itself as one of the most popular and widely read novels in the English language. Until now, however, no edition has printed the novel exactly as Fitzgerald intended. The very first edition was marred by errors resulting from Fitzgerald's extensive rewriting in proof and the conditions under which the book was produced; moreover, the subsequent transmission of the text introduced proliferating departures from the author's words. This critical edition draws on the manuscript and surviving proofs of the novel, together with Fitzgerald's subsequent revisions to key passages, to provide the very first authoritative text of The Great Gatsby. This volume also includes a detailed account of the genesis, composition, and publication of the novel; a full textual apparatus; crucial early draft material; helpful glosses on the peculiar geography and chronology of the book; and explanatory notes on topical allusions and historical references that contemporary readers might otherwise miss. Fitzgerald's masterpiece is thus brought closer to a cross-section of readers, more accessibly and more authentically than ever before. Matthew J. Bruccoli has published widely. He is the author of Some Sort of Epic Grandeur: The Life of F. Scott Fitzgerald (1980) and editor of New Essays on The Great Gatsby (CUP, 1985).
Amazon.com Review:
In 1922, F. Scott Fitzgerald announced his decision to write 'something new--something extraordinary and beautiful and simple + intricately patterned.' That extraordinary, beautiful, intricately patterned, and above all, simple novel became The Great Gatsby, arguably Fitzgerald's finest work and certainly the book for which he is best known. A portrait of the Jazz Age in all of its decadence and excess, Gatsby captured the spirit of the author's generation and earned itself a permanent place in American mythology. Self-made, self-invented millionaire Jay Gatsby embodies some of Fitzgerald's--and his country's--most abiding obsessions: money, ambition, greed, and the promise of new beginnings. 'Gatsby believed in the purple light, the orgiastic future that year by year recedes before us. It eluded us then, but that's no matter--tomorrow we will run faster, stretch out our arms farther.... And one fine morning--' Gatsby's rise to glory and eventual fall from grace becomes a kind of cautionary tale about the American Dream.
It's also a love story, of sorts, the narrative of Gatsby's quixotic passion for Daisy Buchanan. The pair meet five years before the novel begins, when Daisy is a legendary young Louisville beauty and Gatsby an impoverished officer. They fall in love, but while Gatsby serves overseas, Daisy marries the brutal, bullying, but extremely rich Tom Buchanan. After the war, Gatsby devotes himself blindly to the pursuit of wealth by whatever means--and to the pursuit of Daisy, which amounts to the same thing. 'Her voice is full of money,' Gatsby says admiringly, in one of the novel's more famous descriptions. His millions made, Gatsby buys a mansion across Long Island Sound from Daisy's patrician East Egg address, throws lavish parties, and waits for her to appear. When she does, events unfold with all the tragic inevitability of a Greek drama, with detached, cynical neighbor Nick Carraway acting as chorus throughout. Spare, elegantly plotted, and written in crystalline prose, The Great Gatsby is as perfectly satisfying as the best kind of poem.
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Rated by buyers 
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Another book from AP English that surprised me. Fitzgerald makes good writing seem easy. This work both critiqued and defined the American '20s.
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I really enjoyed reading Fitzgeralds Great Gatsby in class. I'd always heard of it but never actually read it so I'm glad we had to read it in english. The thing I enjoy most in a book is it's description, I like feeling like I'm actually there in the room with a character, and in Gatsby I was able to do just that. I love how detailed he is in describing the different locations they travel to and the people they meet.
I liked how it exposed the corruption and manipulation that comes with the power of money. Well not to say that all people with large amounts of money are corrupt, because Fitzgeralds clearly showed that even Myrtle who was poor and lived in a shabby home can be just the same as the rich and spoiled. It just goes to show that money can make anybody do crazy and dumb things. Like Tom and Daisy for example, they're infinity for excitement lead to the death of three people and yet they were able to back away clean of any remorse because of there status in society. Also there is George who was the most innocent of them all but because of Tom and Daisy's carelessness was driven to become a "madman".
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When I was "forced" to read this book in high school, I didn't enjoy it much. I thought it was all one big soap opera, and I found the characters rather shallow and unappealing.
Boy was I wrong! I recently re-read this book again, and I loved it. The characters are so incredibly appealing. Their emotions and interactions are vivid, intense, real and captivating. I fail to understand why, when I was younger, I wasn't swept off my feet by Fitzgerald's wonderful language, which captures his characters with such clarity and lyrical grace. This book is alive. It's such a joy to read a living book.
When I was younger, I didn't "get" this book, but now I do. I think, in part, when I was younger, I couldn't relate to the characters. I suspect I found their emotions rather soap-opera-esq and bland because I didn't adequately understand them. The closest emotions I had seen or understood appeared in soap operas and lousy, lovey-dovey movies.
But, in fact, Fitzgerald's characters are so much more fascinating and real than that. His language - the details of his descriptions - make that clear. Now, I can absolutely relate to Nick, Gatsby et al. While I haven't had their experiences, I can empathize or, at least, sympathize.
A wonderful book.
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"The Great Gatsby" by F. Scott Fitzgerald is perhaps one of the most inspiration works of poetry to ever be created in the English Language. Nothing has inspired me more than the text Fitzgerald has laid down to tell the story of Nick, a well-to-do man from the Midwest and his new-found friend Jay Gatsby. The paragraphs Fitzgerald writes, describing the sites and sounds of the roaring twenties is what made this book a classic.
Everyone should have a copy of this book in their library.
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I found a copy of this book in a very small, very messy book store in my area and decided to give it read. Fitzgerald from the start is extremely descriptive yet brief and poetic. What I find so very impressive about this book is it's ability to make you understand the depths of both the 1920's and the place this story has in it; yet the story and themes are not just easy to relate to, they are fresh even after 90 years. I am an actor and while reading the last 4-5 pages I found myself reading aloud from the book because the conclusion and final thoughts of the character telling the story are written in a profound way; one that makes me feel they should be spoken so that the meaning won't be lost.
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